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Albin Grau (December 22, 1884 - March 27, 1971) was a German artist, architect and occultist, and the producer and production designer for F. W. Murnau's ''Nosferatu''. He was largely responsible for the look and spirit of the film, including the sets, costumes, storyboards and promotional materials. A lifelong student of the occult and member of Fraternitas Saturni,under the magical name of Master Pacitius, Grau was able to imbue ''Nosferatu'' with hermetic and mystical undertones.〔Tobias Churton. ''The Beast in Berlin: Art, Sex and Magick in the Weimar Republic''. Rochester, VT: Inner Traditions,2014, p. 68〕 One example in particular was the cryptic contract that Count Orlok and Knock exchanged, which was filled in Enochian, hermetic and alchemical symbols. Grau was also a strong influence on Orlok's verminous and emaciated look. Grau had originally gotten the idea of shooting a vampire film while serving in the German Army during World War I, when a Serbian farmer told him that his father was a vampire and one of the Undead. Before Grau and Murnau collaborated on ''Nosferatu'', (1921), Grau was planning to create several movies devoted to the occult and supernatural through his studio, Prana Film. Since ''Nosferatu'' was a loose and unauthorized translation of Bram Stoker's ''Dracula'' Prana had to declare bankruptcy in order to evade infringement lawsuits. This made ''Nosferatu'' its one and only release. ==The Weida Conference== In 1925 Grau participated in the Weida Conference, an international meeting of occult leaders at Hohenleuben, along with his lodge secretary Eugen Grosche (Frater Gregorius), Master of the Danzig Lodge, Otto Gebhardi (Frater Ich will), Gebhardi's lover Martha Kuntzel (Soror Ich will es),Heinrich Tranker (as Frater Recnartus, head of the Rosicrucian occult lodge Collegium Pansophicum, aka Pansophic Orient Lodge, Berlin) and his wife Helen, and Aleister Crowley with his entourage of Leah Hirsig, Dorothy Olsen, and Norman Mudd. Grau shot a film of the conference, currently lost.〔Tobias Churton. ''The Beast in Berlin: Art, Sex and Magick in the Weimar Republic''. Rochester, VT: Inner Traditions,2014, p. 68〕 The conference was not a smooth event and Traenker withdrew his support of Crowley. The differences between Traenker and Crowley led to a schism in the Pansophical Lodge between the brothers who disagreed with Crowley and those who accepted Crowley's Law of Thelema, including Gregorius and Grau. Following these differences the Pansophical Lodge would be officially closed in 1926. Those brothers of the Pansophia Lodge who accepted the teachings of Crowley would join Grosche in founding the Fraternitas Saturni. Pacitius (Grau) gave up all his lodge titles, refusing the invitation to head the new order, and left the Master's Chair of the Fraternitas Saturni, Orient Berlin, to Eugen Grosche, who would lead it as Master Gregorius into the new Aquarian/Saturnian age. Grau contributed fascinating, if mathematically obscure, articles on sacred geometry to the page of the Fraternitas Saturni excellently produced periodical ''Saturn Gnosis'' (five issues between July 1928 and March 1930).〔''The Beast in Berlin: Art, Sex and Magick in the Weimar Republic''. Rochester, VT: Inner Traditions,2014, pp72-73. Note: this book reproduces several examples of Grau's occult artwork in full colour (see Plates 15-20) and three in sepia tones, including his portraits of Henry Cornelius Agrippa and of Eliphas Levi〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Albin Grau」の詳細全文を読む スポンサード リンク
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